(...Step on your fingernail)
(damn!)
(that's ok, I can play with one hand...

see? sounds good)

oh, !@#$, I saw a !@#$ $#&@ing !@#$

!@#$
whoa!


oh, !@#$ ($#&@ing !@#$)
oh, !@#$
oh, !@#$

oh, !@#$
%#@!, yeah it's cool (oh, !@#$ y'all)
%#@!, yeah it's cool (oh, !@#$)

%#@!, yeah it's cool (oh, !@#$)
%#@!, yeah it's cool (oh, !@#$)
%#@!, yeah it's cool (oh, !@#$)


play it on the radio
%#@!, yeah it's cool

%#@!, yeah it's cool
%#@!, yeah it's cool (oh, !@#$)


come here one time, what's up ya'll
I got this $#&@ing rim going on out here
I'm gonna give a shout out

to my home boy up in L.A.
wassup boy? wassup yo? come on!
(oh, !@#$)

yo, this goes out to my homeboy Tre,
going on in Chapel Hill
yeah, shouts out as a.k.a.

known as "Roadie Killer"

New York City, mmhm

New York City, urgh!
New York City, ur
New York City


yo shouts out to my main manager man, Al Wolmark,
known as a.k.a.

"you pride of mother$#&@er"

CEC

CEC
CEC


bring in the bass, ya'll! (G!)
yeah! and I thought that's how you felt
about the mother$#&@er!

yeah! I thought that's how you felt
yeah Sledge, bring in the bass
yeah!


for those of ya'll that wear fannie packs,
ya come on!

for those of ya'll that wear fannie packs,
come on!
for those of ya'll that wear fannie packs (and ponytails!)

come on!
for those of ya'll that wear fannie packs (and pony...tails)
I've got the $#&@ing on!


yeah! my boy Sledge on the bass in your face!
my boy Ben on the piano, comin' in,

let him in! let him in!
yeah!
let my boy Ben in

alright
yeah


(hey D! hey D!)
yo, wassup?
(oh, !@#$)

(you gonna let me in D?)
wassup?
(you gonna let me in?)
yo, let that piano solo in
(let me in!)

(let me in!) !@#$!
yeah, yeah, yeah
yeah!
yeah, ah


I been around your mother
I've seen things happen
I don't mind singing
and I don't mind rapping
like I could find

another hundred ways to get my %#@!
I play the piano
(!@#$, we're so funky %#@!!)

yeah,

I said for those of ya'll with fannie packs
this song's coming out,
it's coming at ya!
I wanna borrow an Alan wrench
I wanna borrow some duct tape
I wanna borrow a mic cable

bass in your face

(ugh!) bass in your face
(ugh!) bass in your face
(ugh!) bass in your face
(ugh!) yo G, see in


alright
(let's break it, break it, break it down)
we're gonna break this %#@! on down
gimme some bass

(aaaaaaaaaaaah)
ah, that pretty good

bring this %#@! in!
(oh !@#$!)
(oh !@#$!)
(oh !@#$!)
(oh !@#$!)
%#@!, yeah it's cool
%#@!, yeah it's cool

%#@!, yeah it's cool (yeah)
%#@!, yeah it's cool
(%#@!, mother$#&@ers)

play that cymbal, man
play that tasty, tasty high hat work
(oh, I'm gonna bring that tasty high hat work)

(I'm gonna bring that %#@! in)
I wanna taste it, man (right now!)

(yeah)
(!@#$)

ya, this sound goes out to my main man at The Point

in Atlanta
wassup, G?
gimme my $#&@ing monitor man! (Bernie!)


I'm sorry,
I can't give you any more monitor than that
it won't go any higher than that
because the transistors,
the resistors,
they won't go any higher! (yo, yo, eh!)

alright, yo,
take this mother$#&@er out with a piano solo
!@#$, ugh!

uh, god-
damn
uh
alright
turn that %#@! out
1! 2! 3! 4!

ugh!

(I hoped you taped that)
(That's our next single)
(Oh, they've left)
(They gave up)
("These guys are $#&@ing idiots.")
(That sucked!)