A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

NILE lyrics : "Execreation Test"

Mut The Dangerous Dead
Trouble me No Longer
I Inscribe Thy Name

I Threaten Thee With The Second Death
I Kill Thy Name
And Thus I Kill Thee Again

In The Afterlife

Bau Terror of the Living

Angry Spirits of the Condemned Dead
I Write thy Name
I Burn Thy Name In Flames

I Kill Thy Name
And Thus Thee Are Accursed
Even Unto The Underworld


Mut The Troublesome Dead
Plague Me No Longer

Thou Art Cursed
Thy Name Is Crushed
Thine Clay is Smashed And Broken

Thy Vengeance Against The Living
Shall Come to Naught


[Among the most sinister objects from the ancient world are the
figurines in human shape which were used to cast spells on the
persons they depicted. Such objects survive to this day usually

only when they are buried as a part of a rite, and usually in
the vicinity of a tomb or necropolis. Archeologist have found
the remains of such rites at the royal cemetaries of Giza,

Saqqarra, Lisht, and at several forts in Nubia. Stone, wax, or
mud figures, or broken clay tablets or clay pots, are inscribed
with lists of the enemies of Egypt. The body of the figure is

usually flattened to make room for the text, or sometimes a
papyrus is inserted inside the body cavity. On the back, the
arms, or the arms and legs, are bound together. The inscriptions

found on them are called "execration texts." These texts threaten
death to specific people. Often, they include the name,
parentage, and title of war. The execration texts were mainly

aimed at enemy rulers, hostile nations, and tribes in Nubia,
Libya, and Syria-Palestine. Magickal incantations and rites were
used to cause death and suffering, and to prevent the angry

spirits of the executed from taking vengeance on those who had
condemned them. Usually included in these texts are
long-standing enemies of those involved in the cursing rites.

There is also often a catchball phrase against any man, woman,
or eunuch who might be plotting rebellion. Amongst the common
people, the execration rituals were carried out after the

killing of a personal enemy or the execution of criminals. By
killing the enemy's name, which was an integral part of the
personality, this rite would extend the punishment into the

afterlife. The spirits of defeated enemies or executed traitors
were regarded as a continued supernatural threat, which needed
to be met with magic. The wording of the texts is similar to

that of contemporary spells on papyrus, which promise to protect
against the malice of demons and ghosts. Those named in the
execration texts are referred to as "mut" - the dangerous dead.

It is also the word used to describe the troublesome dead in
protective spells for private persons. The stone figures and red
clay pots on which the execration texts were written were

ritually broken as part of the cursing ceremony in order to
smash the enemy's power. A pit near the Egyptian fort of
Mirgissa in Nubia contained hundreds of such pot shards, as well

as over 350 figures. Deposite of figures have been found outside
fortresses, tombs, and funerary temples. The clay figures were
burned and then buried with iron spikes driven through them, or

nailed to the outer walls, as the bodies of executed traitors
and foreign enemies sometimes were. The more eloborate enemy
figures were sometimes trussed up like animals about to be

sacrificed. Some are shown with their throats cut, the method
used to kill sacrificial animals. The dismembered body of a
Nubian and a flint sacrificial knife were found nar the Mirgissa

pit. Some Egyptologists believe that human sacrifices routinely
accompanied execration rituals, while others have argued that
the figures were normally a substitute for such sacrifices.]

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